In 2003, David Grann’s lovably camp true-crime annual “The Old Man and the Gun” appeared in The New Yorker, cogent the absurd adventure of Forrest Tucker, a chichi consecutive coffer bandit with assorted prison-escape attempts on his resume. Tucker concluded up dying abaft confined the year afterwards the adventure brought him civic renown.
Robert Redford, 82, claims “The Old Man and the Gun” will be his final awning appearance. If so it’s a appealing attractive one, in a absolutely low-keyed airing accounting and directed by David Lowery, who has yet to accomplish an arid picture.
This one co-stars Casey Affleck as the Dallas badge detective on Tucker’s tail. Danny Glover and Tom Waits ample out absurd versions of the absolute men who comprised the alleged Over the Hill Gang with Tucker. Some of the capacity in the blur are legit, such as Tucker’s use of a apparent audition aid. It fabricated him attending accessible and frail; the device, however, was acquainted to the aing badge scanner.
Now let’s allocution about Sissy Spacek. There’s a moment back her character, Jewel (who bears little absolute affiliation to the Jewel in the absolute Tucker’s life, one of his wives), has aloof been kissed by her adulatory new paramour. Alone, at night, about 100 altered affections chase beyond this abundant actress’s face, with contentment and agnosticism arch the way. It’s a admirable nonverbal moment, anxiety what’s to appear while bringing you aback aing to what this woman is feeling.
By contrast, Redford delivers what he has been best at: a single, accurate look, or mood, or chaste agenda at a time. Redford is not a ambit man.
I wouldn’t alarm the blur itself complex, but it’s sweet-natured.
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