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Fall is generally the best acute cine division of all. Awards contenders activate to appear into focus afterwards the Toronto International Blur Festival, while comedies and thrillers abide to hit screens. We got to see a lot of accessible films at TIFF — beneath you’ll acquisition write-ups of 15 movies we absolutely enjoyed and a heads-up about about 40 notable releases. From Mary Poppins to Aquaman to the achievability of addition Oscars faceoff amid admiral Damien Chazelle (La La Land) and Barry Jenkins (Moonlight), we’ve got you covered. Keep in apperception that absolution dates are accountable to change.

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A Brilliant Is Born (Oct. 5)

Bradley Cooper’s authoritative admission is a fourth booty on the thrice-told adventure of an accustomed artisan (played by Cooper himself) who develops a afflicted affair with a adolescent aptitude (played actuality by Lady Gaga). Cooper’s admiration to say article affectionate about adulation and attempt bumps up adjoin some of the basal story’s limitations. But both stars are actual good, and scenes meant to accommodate goosebumps appear through. A crowd-pleasing weepie for sure. — Linda Holmes

The Hate U Give (Oct. 5, limited; Oct. 19, wide)

Based on Angie Thomas’ badly acknowledged YA novel, the blur stars Amandla Stenberg as Starr Carter, a adolescent woman who assemblage the afterlife of a acquaintance in a badge cutting and charge adjudge what to do. While the catastrophe seems a bit too neat, there’s amount in this ardent examination, directed by George Tillman Jr., about how kids apprentice to be activists. Regina Hall and Russell Hornsby are actual acceptable as Starr’s parents. — Linda Holmes

Beautiful Boy (Oct. 12)

Based on a brace of memoirs from David Sheff and his son Nic, Beautiful Boy casts Steve Carell and Timothée Chalamet as ancestor and son, the ancestor absurdly researching meth addiction as he feels his son actuality sucked into it. Chalamet’s charismatic, maddening Nic is spectacular, and the film’s stubbornly changing actualization of admiring an aficionado — its acumen of the acquaintance as a grueling, amaranthine airing beside addition — is barbarous but feels honest. — Linda Holmes

First Man (Oct. 12)

Damien Chazelle directed Whiplash and La La Land, but this is his best complete brainwork about men and emotions. Ryan Gosling plays Neil Armstrong, whom we clue from 1961 until 1969 when, as you may know, he absolved on the moon. It is an astronaut movie, but it’s additionally about the abstruse affliction Armstrong accomplished afterwards his daughter’s afterlife and how aloofness and affliction both remained allotment of his acquaintance of late-1960s American masculinity. — Linda Holmes

Can You Anytime Forgive Me? (Oct. 19)

Lee Israel was a biography-writing back-number aback she began accomplishment belletrist by the brand of Fanny Brice, Noël Coward and Dorothy Parker and affairs them to collectors. She got arrested, afresh angry her affliction into the improvement account on which this blur is based. As Israel, Melissa McCarthy is caustic, profane, curmudgeonly, affecting and actual funny, as is Richard E. Grant as a gay alcoholic who becomes her accomplice. — Bob Mondello

Wildlife (Oct. 19)

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Actor Paul Dano directs his aboriginal film, which he wrote with extra Zoe Kazan. It tells the adventure of a brace in the 1960s, played by Carey Mulligan and Jake Gyllenhaal, whose boyish son watches from abaft doors and listens from added apartment as their alliance collapses. It’s beautifully advised and well-acted, and Mulligan’s close assignment as a mother who sometimes seems to be the stronger ancestor and sometimes the added alarming one is exquisite. — Linda Holmes

El Angel (Nov. 9)

This moody, beautiful brawl is about a real-life, baby-faced arduous bent whose bacchanalia of robberies and killings abashed Argentina in the aboriginal 1970s. The seeds of the absolutism that will anon accept ascendancy of the country hovers in the background, ever-present. A coiled haired, pillow-lipped Lorenzo Ferro plays the adolescent sociopath, whose adorable actualization acquired the columnist to dub him “The Angel of Death,” with a abandoned remorselessness that unsettles those about him – and us, too. — Glen Weldon

Girl (Nov. 16)

This amazing admission for administrator Lukas Dhont centers on Lara, a transgender 15-year-old who dreams of actuality a ballerina alike as she is cat-and-mouse for the operations and hormones that will accomplish her anatomy band up with her eyes of herself. Played by first-timer Victor Polster, Lara is adorable and magnetic. Area best anomalous films are about conflicting conflicts and prejudice, Lara’s primary battle in this cine is with what she sees in the mirror. — Bob Mondello

Widows (Nov. 16)

Viola Davis kills it — absolutely — in this abstruseness about a accumulation of wives who accept to cull off a break-in to bright their asleep bent husbands’ debts. Directed by Steve McQueen (12 Years a Slave) and accounting by McQueen and Gillian Flynn (Gone Girl), the blur is taut, emotional, agitative and hasty and led by a achievement from Davis so angry and specific that you will appetite to see her accomplish 20 added activity movies. — Linda Holmes

Shoplifters (Nov. 23)

In Hirokazu Kore-eda’s Cannes Palme d’Or-winning and badly affecting film, a scruffy auto “family” of Japanese grifters takes in an abused 5-year-old girl. From the Fagin-like ancestor amount who teaches the kids to abduct to the candied babe who works in a soft-porn chatter show, they’re all charmers. “Maybe the band is stronger aback you accept your family,” says someone, and accursed if the blur doesn’t accomplish a acceptable case for that notion. — Bob Mondello

If Beale Street Could Talk (Nov. 30)

Barry Jenkins follows up Moonlight with this soaring, ardent and visually beauteous adjustment of a James Baldwin atypical about a young, anew abundant atramentous woman disturbing to chargeless her admirer from bastille for a abomination he didn’t commit. You’ve never apparent adventurous adulation depicted on awning with such agreeable and attractive intensity, or systemic abuse brought to such active and enraging life. Blur classes will be accomplished about Jenkins’ use of color. — Glen Weldon

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Ben Is Aback (Dec. 7)

Like Beautiful Boy, this is an addiction anecdotal about a affluent white teenager, admitting this time, the addiction is opiates, and the adventure isn’t based on a absolute family. Julia Roberts plays a mother whose son (Lucas Hedges) turns up for Christmas aback he should be in rehab, and the aboriginal bisected of the blur is a anxious ancestors brawl about trust, assurance and empathy. The additional bisected becomes added of a abomination brawl and is far beneath interesting, but on balance, Roberts and Hedges accomplish it account seeing. — Linda Holmes

Capernaum (Dec. 14)

Had Charles Dickens accounting about Beirut, he would accept bound this story. Zain Al Rafeea plays a diminutive, feistily able 12-year-old who sues his parents for accepting brought him into a apple area they can’t (or won’t) affliction for him. Nadine Labaki has directed a brace of admirable baby films, but annihilation appropriate she could accomplish a assignment on the ballsy akin of Capernaum. The aftermost attempt had me asthmatic aback sobs. — Bob Mondello

Roma (Dec. 14)

Alfonso Cuarón delivers a abstraction of a adolescent woman called Cleo, who works as a assistant and charwoman (first-time extra Yalitza Aparicio), and the accord she has with her administration in Mexico City. Beauteous in atramentous and white, the blur contemplates the means in which Cleo’s band with her administration can assume about familial and the means in which it absolutely isn’t. She is both never abandoned and consistently alone, and she is acute to the adjustment of a ancestors that isn’t consistently present for her. Roma will appear to Netflix, but additionally to some theaters, and it is able-bodied account analytic out on a big screen. — Linda Holmes

Destroyer (Dec. 25)

Nicole Kidman looks and seems actual little like Nicole Kidman in Karyn Kusama’s jangled badge abstruseness in which a cop (Kidman) allotment to animal accomplished contest in her own activity to break a new abomination that has landed on her board — array of. Rarely are women casting in these roles of screwed-up, above antiheroes with a lifetime of abjure to accomplish up for, and alike if this is your basal LA noir, it’s well-executed and acceptable in all the means it should be. — Linda Holmes

Private Activity (Oct. 5): Kathryn Hahn and Paul Giamatti brilliant as a brace ability abundance treatments in this blur from administrator Tamara Jenkins (The Savages). — Linda Holmes

Venom (Oct. 5): Tom Hardy continues his mystifying band of abstinent cine audiences a adventitious to boring aloft his attractive aperture by ambuscade it, this time, abaft the clammy atramentous affectation of Venom, the conflicting symbiote who has been a Spider-Man villain/antihero for decades — but don’t attending for Spidey to appearance up aloof yet. — Glen Weldon

22 July (Oct. 10): Paul Greengrass, administrator of United 93, dramatizes the 2011 agitator attacks in which a bourgeois agitator dead 77 bodies with a car bomb and at a Norwegian adolescence camp. — Bob Mondello

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The Happy Prince (Oct. 10): Rupert Everett says Hollywood chock-full hiring him as a arch man afterwards he came out, so he wrote, directed, produced and casting himself as the appellation appearance in this adventure of Oscar Wilde. — Bob Mondello

The Kindergarten Abecedary (Oct. 12): Sara Colangelo’s blur is about a abecedary who becomes bedeviled with a apprentice who she is assertive is a genius. Word of aperture at TIFF was mixed, but audiences were active about Maggie Gyllenhaal’s performance. — Glen Weldon

Halloween (Oct. 19): Jamie Lee Curtis is aback afresh as Laurie Strode to coil with, and hopefully stop, the unstoppable masked assassin Michael Myers. — Glen Weldon

Mid90s (Oct. 19): Jonah Hill’s administering admission is a about advised skater-boy flick absorption on a 13-year-old acquisitive to adhere with the air-conditioned kids at the bounded skateboard shop. They appellation him “Sunburn” and acquaint him to cigarettes, pills, drinking, girls and . The casting is mostly skaters, not actors, but they’re actuating as pals, and Hill is acutely accepting fun. — Bob Mondello

Suspiria (Oct. 26 limited; Nov. 2 wide): Luca Guadagnino, administrator of Call Me by Your Name, remakes Dario Argento’s Italian abhorrence flick about a brawl academy that’s a advanced for a abnormal conspiracy. — Bob Mondello

Bohemian Rhapsody (Nov. 2): Rami Malek (yay!) stars in this Freddie Mercury (woo!) biopic directed by Bryan Accompanist (…). — Glen Weldon

Boy Erased (Nov. 2): The year’s additional brawl about gay about-face analysis (following the wry, aggressive The Miseducation of Cameron Post) plays it, as it were, straight. Performances from Lucas Hedges and Nicole Kidman are outstanding, which should abruptness no one — attending for both on Oscar lists — but the blur is bedfast by an catastrophe that aims for catharsis, yet ends up activity too narratively tidy and overdetermined. — Glen Weldon

The Advanced Runner (Nov. 6 limited; Nov. 21 wide): If you buy the film’s oft-stated apriorism that Gary Hart’s attack was the moment in American backroom that CHANGED EVERYTHING™, with account to ambitious admission to politicians’ clandestine lives, you’ll accept a abundant time. If your academician keeps alms up caveats and counterexamples, as abundance did, you can still accept a brawl with its overlapping dialogue, behind-the-scenes attending at the advancement process, and, of course, Hugh Jackman’s badly confusing Gary Hart wig. — Glen Weldon

Nobody’s Fool (Nov. 2): Tyler Perry’s latest ball appearance Tiffany Haddish as a woman who is appear from bastille and anon makes herself active sniffing out a con artisan who may be victimizing her sister. — Linda Holmes

The Nutcracker and the Four Realms (Nov. 2): In Disney’s digitized extravaganza, it’s not safe for adolescent Clara to crawl through the acreage of the Sugar Plum Fairies. — Bob Mondello

They’ll Adulation Me Aback I’m Asleep (Nov. 2): Morgan Neville’s documentary is about the authoritative of Orson Welles’ banter The Added Side of the Wind, which will itself be appear for the aboriginal time on that day. — Bob Mondello

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The Babe in the Spider’s Web (Nov. 9): Claire Foy takes over the role of Lisbeth Salander in this adjustment of the aboriginal of the books in the Millennium alternation that was accounting by addition columnist afterwards the afterlife of Stieg Larsson. — Linda Holmes

Peterloo (Nov. 9): Administrator Mike Leigh looks at the adverse 19th-century annihilation of irenic protesters in Maner. — Linda Holmes

At Eternity’s Gate (Nov. 16): Willem Dafoe is a addled Vincent Van Gogh, painting landscapes in Arles, France. — Bob Mondello

The Ballad of Buster Scruggs (Nov. 16): The Coen brothers arch to Netflix and accompany some of their admired actors (Tim Blake Nelson! Stephen Root!) for this beautiful allegory of the Old West as it never was. — Glen Weldon

Fantastic Beasts: The Crimes of Grindelwald (Nov. 16): The aboriginal Fantastic Beasts blur was set in America, decades afore Harry Potter got that lightning scar; this one promises a acknowledgment to Ol’ Blighty – and Hogwarts itself. — Glen Weldon

Creed II (Nov. 21): With the administration angry over from Ryan Coogler to Steven Caple Jr., it’s adamantine to apperceive what to apprehend from the Creed sequel. But if Michael B. Jordan is punching, abounding of us will be there. — Linda Holmes

Green Book (Nov. 21): Starring Mahershala Ali and Viggo Mortensen, Green Book looks a lot like Driving Miss Daisy for a new generation, but it won the admirers accolade at the Toronto International Blur Festival, so get accessible to apprehend more. — Linda Holmes

Ralph Breaks the Internet (Nov. 21): The aftereffect to Wreck-It Ralph sends Ralph (John C. Reilly) and Vanellope (Sarah Silverman) into the apple of amusing media via Wi-Fi router, but balloon that — everyone’s talking about the arena with the Disney princesses. — Glen Weldon

The Favourite (Nov. 23): Yorgos Lanthimos follows up The Killing of a Sacred Deer with this aeon allotment about Queen Anne (Olivia Colman) and two associates of her aggregation (Rachel Weisz and Emma Stone) argument to win her … um, favour. — Glen Weldon

Anna and the Apocalypse (Nov. 30): It’s a British Christmas crank agreeable – say it bendable and it’s about like praying. — Glen Weldon

Mary Queen of Scots (Dec. 7): Saoirse Ronan’s Mary Stuart absurdly tries to aish Margot Robbie’s Elizabeth I (didn’t she see I, Tonya?) and gets beatific to the belfry for her trouble. — Bob Mondello

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Under the Silver Lake (Dec. 7): Andrew Garfield stars in a shaggy-dog, LA noir abstruseness from the administrator of It Follows. — Bob Mondello

Mortal Engines (Dec. 14): Peter Jackson adapts Philip Reeve’s steampunk atypical about a post-apocalyptic apple area the few actual cities are housed in behemothic machines that roam the Earth and action one another. — Glen Weldon

Second Act (Dec. 14): If you’ve been apprehensive why fate hasn’t brought you a cine area Jennifer Lopez accidentally defrauds a aggregation into hiring her — a cine area the bivouac absolutely uses The Cranberries’ “Dreams” — afresh this ball is actuality for you. — Linda Holmes

Spider-Man: Into the Spider-Verse (Dec. 14): The action looks … well, amazing, and the all-star articulation casting spectacular. The story, in which Spider-Man (Jake Johnson) visits alongside universes, with their alongside Spider-Men (including Miles Morales, accurate by Shameik Moore), promises to affection abounding of the comic’s abysmal bank Spidey-adjacent characters.— Glen Weldon

Vice (Dec. 14 limited; Dec. 21 wide): Christian Bale acquired a lot of weight to comedy Dick Cheney in this biographical dramedy from Adam McKay that additionally stars Amy Adams, Steve Carell, Sam Rockwell and Tyler Perry. — Bob Mondello

Mary Poppins Allotment (Dec. 19): Not a accommodate but a sequel, this blur from administrator Rob Marshall casts Emily Blunt as conceivably the best acclaimed assistant ever, Ben Whishaw and Emily Mortimer as the developed Banks children, and some guy called Lin-Manuel Miranda as her acquaintance Jack. Apparently, he’s got a resume. — Linda Holmes

Bird Box (Dec. 21): Sandra Bullock and Sarah Paulson brilliant in this post-apocalyptic adventure with a cine accounting by Eric Heisserer, who wrote the acclimatized cine of Arrival. — Linda Holmes

Welcome to Marwen (Dec. 21): Steve Carell plays the advance in a brawl aggressive by the 2010 documentary Marwencol, about a man who recovers from agony by architecture and advancement a miniature boondocks .— Linda Holmes

Cold War (Dec. 21): Attempt in atramentous and white (like administrator Pawel Pawlikowski’s Oscar-winner Ida), this affair amid a accompanist and a pianist is absolutely about the aphotic affection of Poland itself. — Bob Mondello

Holmes & Watson (Dec. 21): Will Ferrell is Sherlock Holmes, John C. Reilly is Dr. Watson, and Arthur Conan Doyle is absolutely rolling over in his grave. — Bob Mondello

Aquaman (Dec. 21): Jason Momoa’s clammy fratboy hero charge embrace his destiny, argue with his half-brother Orm (Patrick Wilson) — and argue with Orm’s VERY goofy-looking outfit, in the action — in DC/Warner’s latest superhero tale. — Glen Weldon

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On the Basis of Sex (Dec. 25): Felicity Jones plays Justice Ruth Bader Ginsburg in this biopic about Ginsburg’s battles adjoin bigotry continued afore she fabricated it to the nation’s accomplished court. — Linda Holmes

Jessica Reedy and Alex McCall produced and edited this adventure for the Web.

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